T he guitar part is simple but memorable, and there is a feeling of catharsis when Adkins sings, “It doesn’t have to hurt anymore,” because the listener can empathize with what the singer is going through. It’s one of the better songs on the album. Adkins sings, “You’re gonna do what you have to/ You see the problem was us/ Tried to bend love to the picture we had in our heads.” The title of the song, “The End is Beautiful,” is a reference to the end of the relationship, beautifully freeing him and his partner. “The End is Beautiful” is a continuation of “You With Me,” where the singer realizes the relationship was doomed because he had an unrealistic idea of love, and realizes that the relationship needs to end. “You Are Free” is the first song to have lyrics that are as inspirational and sentimental as the beat underlying them. “You are free/ To be who you want/ What you need/ Yeah, who you want/ What you need/ Baby, you are free,” Adkins sings in the chorus. Later in the album is “You Are Free,” an uplifting song about self-confidence and owning one’s identity. Both songs have a bit too much of an overproduced studio sound to them, yet Adkins’ voice does not lend itself well to a spoken word or eerie presentation. While both songs are riskier, different takes on the band’s usual sound, it doesn’t work out.
Heavy and overpowering guitar riffs are the central focus on the album’s fourth song, “Pretty Grids.” “Pass the Baby,” the following song, is mostly spoken word, giving it an eerier vibe than other songs on the album.
Just like the first song, however, its upbeat sound masks rather bleak lyrics: “Sure and certain/ Wander ’til we’re old/ Lost and lurking/ Wonder ’til we’re cold,” Adkin sings. The next song, “Sure and Certain,” starts off with an upbeat guitar and drum melody, and follows with a repetitive chorus mak ing it easy to sing along. He sings, “What makes our love so hard to be/ Is it you or is it you with me,” wondering whether or not his partner is the right person for him.
Although the guitar in the track is easygoing and mellow, the lyrics show a different story, as the singer wonders why his relationship is failing. Adkins then comes in alone, with drums and guitar behind him.
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The album begins with an angelic choir in “You With Me,” a tune that sounds like it belongs in a philosophical movie such as “Swiss Army Man” because of its ethereal and resonant sound.
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The album also addresses how to come to terms with the life decisions one has made. The band’s newest album, “Integrity Blues,” leans away from its emo-rock roots and distinguishes itself with a couple more experimental tunes while still offering something familiar.įrontman Jim Adkins said in a Rolling Stone interview that the album explores the idea of identity, specifically the idea that people are their own worst enemy. It’s been 15 years since “The Middle” was released, but still it remains the best-known song by Jimmy Eat World.
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